Prodigy ≠ Perseverance

“The One About Age…”

“How it feels to be an old fart among shooting stars.”

“Still or Sparkling, ma’am?”

I wasn’t sure what to call this post, to be honest. I’m not even sure how to start it without sounding like a pathetic, whiny bitch. So maybe I’ll just start out like that, like a pathetic and whiny bitch. It’s my birthday today, and I’m a Scorpio, and I know I’m not the only one who’s a whiny bitch, so let’s just go for it, yeah?

First off, you can’t measure hurt.

Hurt is hurt.

Everyone gets their say in what hurts them, and one hurt isn’t “worth more” than another.

This is my hurt; allow me to walk you through it…

This year, I’ve seen a lot of people write their first book, label it the book of their heart, after which they sign with their agent, believing 100% that their love for their book was what got them the agent. I’m not discrediting that—not discrediting them and their experience—but I’ve written eight heart books so far, none of which have resulted in an agent offer for me. Either I’m incapable of putting my heart in a book (which, fair, maybe I am), or perhaps writing a heart book isn’t a guarantee that you’ll get an agent.

This year, I’ve also seen young writers lamenting that their traditionally published books aren’t taken seriously by their peers and critics because they themselves are young. Once again, I’m not discrediting these experiences, and I shouldn’t, but I also can’t help but think that I’ve been attempting to get an agent for ten years by now, which amounts to half the life of these young people. Maybe they’re not taken seriously—I’m not at liberty to judge that—but they do have an agent.

Bottom line: my experience is the direct opposite of the examples above.

I actually suspect that my side is the more common one, yet it’s the side that’s talked about the least—because who wants to be a horse when they can be a unicorn? So, please, allow me to talk about my life as a horse, here, at length, in the safe space I’ve created for myself and for you. Hopefully, I can do it justice. I’ll certainly try to do so, as best as I am able.

When I was 18, I swore to be agented by the time I was 21.

This was also around the time that I queried my first book.

We don’t talk about that 2012 book. Not even here. Sorry.

We’ll talk about the next book, though, 5 years later.

It was a SASE query, sent from Denmark to the US, and that was back in 2016. When I was 26. I’m not sure what I was thinking back then, both in terms of querying one of the first “real” books I’d written (fanfiction and half-finished original books notwithstanding), and in terms of sending a damned SASE from Denmark to the US, querying only one agent. Neil Gaiman’s agent, no less. Shoot for the stars, eh? More to the point, I probably wasn’t thinking. Probably didn’t know what to think, to be honest. I was young. I was Danish. I didn’t know how the American publishing industry worked. I barely knew how anything Danish truly worked.

I only had something I wanted, and I was trying to get it.

I’m still trying.


10 years later, after I first swore to be agented by the age of 21.

I’ve done life-altering things in between, to be sure, but my chosen career as a professional writer is the one that eludes me. It’s the slippery one. The one I can’t get.

When I want to feel hard on myself, I imagine that agent (Neil Gaiman’s agent, my god, what was I thinking?) opening that envelope back in 2016 and… well, I don’t know what her reaction would be. I don’t know her, after all. Sometimes I picture laughter. Sometimes pity. Sometimes confusion. At my worst, I imagine ridicule. It really depends on my own mood at the time—but it’s an image I return to often when I need to not be positive. When I need to feel pain, only so I can cleanse myself of it afterwards. Just for five minutes. Or an hour. Or a whole day.

It’s a good image, in a way, and not one I’d want to live without.

Right, so, obviously, I didn’t get agented by 21.

And, so, I set a new goal: 25.

I wrote a new book. I queried that. It must’ve been in 2018 or thereabouts. I didn’t use SASEs this time, but I still didn’t know that I wasn’t supposed to attach files to query emails, so I bet a lot of queries never even reached agents for this particular book. Which, in hindsight, was a good thing since it was a book that definitely wasn’t for me to write. It was a cultural appropriation book. I know that now. And I’ll freely admit it, as I should. I’ll never write a book like that again because I know better now.

I did get one full request for that book, though, which was nice—because it gave me faith.

Faith that this could actually happen.

That I could get a foot in the door, you know?

Moving on, I obviously wasn’t agented with this book either.

And, so, I set a new goal: 30.

This was when I started to realize that storytelling and writing are two separate crafts—and that I was woefully ignorant when it came to storytelling. Maybe because I never had any formal education in creative writing. Maybe because I’m Danish, so my storytelling is different. Maybe because I had no IRL network to teach me about writing because I wrote in English, not Danish. There are many maybes. Either way, I decided to self-study. To read tons of English craft books. And I did. I read many craft books. And, more importantly, I built solid and trustworthy relationships with English-speaking critique partners and beta readers, found via twitter, who helped me improve my craft as I helped them improve theirs. This might be a slight tangent here, but let me just quickly stress that we put so much pressure on mentorships these days that I feel like we often forget our peers are also our mentors. We learn from them, and they learn from us. At least in terms of craft, if not in terms of network.

And so I wrote a new book—and that one got requests.

Not many, but a few.

They all ended up as rejections.

So, I wrote another book. Again. And, just to clarify, I’ve written books that I’ve never queried, but these are not the books we’re talking about here. This book, however, was a better book. I was fully sure of that, and I still am. It’s stronger in craft, both in storytelling and in writing. Around that same time, I also landed a job teaching creative writing. But then the pandemic happened, and the publishing industry all but (reasonably!) collapsed, just like the rest of us. Which ultimately meant that most of my queries for this “better” book went unanswered (still are? I’m not even sure at this point?). I got zero full requests for that book. Basically, I regressed in the query trenches despite having a “better” book.

It’s my birthday today.

I’m turning 31.

By now, I would ordinarily set a new goal.

Maybe something like “get agented by 35.”

But, you know what… fuck it. I’m done doing that. I’m not gonna be a prodigy story. I’m gonna be a perseverance story. And it’s been hard to accept that, in this day and age, in this world. But, finally, I’m gonna damn well lean into it and be proud. I’ll write my next book, and my next book, and my next book, and if it takes me ten more years, then it takes me ten more years.

I’m a better person now. I’m older. My books will reflect that. They will be better books than anything I could’ve written 10 years ago, and when I do get an agent, I’ll be hitting the ground running, with a backlist to be proud of and one that can help me become a full-time writer faster than otherwise.

Others have it harder than me, for sure, but I can only speak for myself. And, in doing so, I hope some of the things I’ve said here can perhaps resonate with you.

Lastly, just for shits and giggles, here are my query stats.


2012 book: 0 requests

2016 book: 0 requests

2018 book: 1 full request

2019 book: 3 full requests, all rejected

2020 book: never queried

2020 book: 0 requests

2021 book: not queried (but will be)!

2022 book: who the fuck knows, but I’ll write it anyway

Video: “On Craft” #1

I recently filmed a video as part of my involvement with the South Gate Creative Writing School here in Denmark (link). In the video, I talk briefly about writing pitfalls, and I figured I’d share the full, unedited version here in case it might be of interest to anyone else. For the final version, check out the school’s youtube here.

I talk about three pitfalls that I myself am consistently guilty of:
1) Lacking character agency
2) Not setting the scene right
3) Not keeping the emotional dominoes in order
(I’ll thank @Natalie_Crown for teaching me this one!)

20min Drabble Challenge: “Incipient”

Shoutout to @MEmbergerauthor on twitter for the word prompt!
 The 20 minutes is from the moment I jot down the first word till I write the last. I’ll sit and consider the theme and the visual imagery for some minutes beforehand, oftentimes googling images of the word.

“Keep looking!” the girl says. “This only happens once a year.”
“What if it smells like rotten eggs?” the boy asks.
“You’re so dumb. Why would—”
“No, hear me out. What if—”
“Look, look!”
The bulbous pod of the cactus pops open, orange and white petals peeking out. The Queen of the Night only blooms once a year at midnight. The boy and the girl have waited for this.
When the flower is full, the girl raises her hands, grinning toothily, and slaps her palms together, crushing the flower. They both laugh, tasting the smell of crushed petals.

Photo credit – Diana Cochran Johnson